Hi.

I am Vladica Mikićević. Contemporary music composer.

“If a composer could say what he had to say in words he would not bother trying to say it in music.” — Gustav Mahler

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Her compositions are being performed at numerous festivals and concerts, such are KoMA - Belgrade, FESTUM - Belgrade; KozArs - Gradiška, Summer Art Academy - Belgrade, Concert at King Petar’s House - Belgrade, Scent of creation - Belgrade, Impuls Academy - Gratz, Fête de la musique - Banja Luka
Biography

Composer and Researcher at University of Arts, Faculty of Music

Vladica Mikićević (1994), completed her Undergraduate and Master studies of composition at the Faculty of Music in Belgrade in the class of Tatjana Milošević Mijanović.

She is currently attending the DAS of composition and working as a Junior Researcher at the Faculty of Music, where she also obtained BA and MA degrees from the Solfeggio and Music Pedagogy Department.                                                                                                                                     

Short bio

Vladica Mikićević took part in important European master classes and she received several awards: of the Antonín Dvořák Composition Competition (Prague), IMPULS Academy (Gratz), Music Biennale (Zagreb), reMusik (Sant Petersburg), Composers + Summer Academy (Druskininkai), etc. She has worked with renowned composers such as Mark Andre, Isabel Mundry, Pierluigi Billone, Ivo Medek, Yuri Kasparov. Her music has been performed in Serbia and abaroad, at festivals and events including International Review of Composers, KoMA, FESTUM, Summer Art School Belgrade, KozArs, Rossi fest, Miris stvaranja, 50th Kalemegdan’s Sunsets, Fête de la Musique, Mother’s melodyMy roots. Vladica Mikićević is the initiator and producer of the event Miris stvaranja (The Bouquet of Creation) which unites and promotes the music of young composers from Serbia and Republika Srpska. In 2017 she was one of three participants who coauthored the paper Escalator to Parnassus which analysed the influence of Ancient Greek and Byzantine music on the creativity of Serbian composers in the 20th and 21st centuries (the paper was presented at the International Musicological Conference Modus-Modi-Modality in Nicosia). She performs as a pianist and conductor, and she actively composes incidental music for theatre. She is a member of the USK- Association of Composers of Serbia, SOKOJ- Organization of Music Authors of Serbia and MOTO Musical-Opera’s Theater Organization.

Music

Compositions

List of all compositions is here

Ecstatic Scenes

(for piano)

Kozara In Five Pictures

(for clarinet and piano)

Sorrow For The Runaway Secret

(for mezzo soprano, flute and piano)

Captured In The Air

(for five instruments)

Vladica Mikićević – Voices From a Lithuanian Forest. The inspiration for this work came from listening to the sound of the wind, alone in the woods. Listening carefully, I thought I could make out the sound of human voices: whispering, singing, shouting, crying. The composition has three parts. The first part conveys the whispering of the wind at the edge of the forest, which we can feel through dynamic variations from pianissimo to forte fortissimo. The second part takes us deep into the forest, where the winds are pitched in battle, a dialogue of shouts and cries. The third and final part soars high above the trees, allowing us to witness from a bird’s perspective an entire vision of the forest and its sounds.
Vladica Mikićević – Collage of Immortal Pictures. In Collage of Immortal Pictures, seven parts unite into one musical collage, rich in colour and emotion. Each picture has its own atmosphere, with a different character and tempo. The first, third, fifth and seventh pictures are slow and melancholic in character, with an emphasis on the relation in colour between accordion and strings. Pictures two, four and six are faster – suitable for dancing, with expressive rhythms and accents. The interplay between accordion and strings supports these pictures in their build-up towards the climax.
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